How “free print” sites work

Online sites that offer free prints are billing you for shipping and other services.

“Free print” sites also limit you in many other ways. For instance:

  • Only 1 print of each image
  • Only 85 prints a month
  • Only 1000 prints a year
  • And the most important: Pay more for shipping!

Here’s a simple comparison of 206 prints at the “free prints” site versus the same order at dotphoto:

dotphoto is a better value on 4×6 prints, AND dotphoto is an archival service that also offers lower prices on everything else — with free shipping on any order of $10 or more.

dotPhoto is the wholesale club for saving, printing, sharing and selling your photos.

  • Wholesale Pricing: 8¢ 4x6s, 49¢ 5x7s, and $1.49 8x10s
  • Wholesale pricing on hundreds of unique products
  • Free Shipping on every order of just $9.99 or more
  • Unlimited Photo Storage
  • Earn extra money for yourself or your organization
  • Priority FAQ, email, and phone support

Better sharing

Better privacy

Better printing

Better selling

Better saving

Better Support

At only $1.67 a month, a dotphoto membership pays for itself in savings!

The Problems of Portrait Photographers

The Collected Verses of Lewis Carroll – printed in 1929 – fell into my hands in a used bookshop.  I was surprised to discover a poem called “Hiawatha’s Photographing” written in 1858.

The Collected Poems of Lewis Carroll, 1929

Spoiler alert: in the poem, all the individual portraits are ruined by the sitters, but, miraculously, the group portrait is perfect. The unpleasant subjects universally detest the group photo “as the worst and ugliest picture they could possibly have dreamed of,” and Hiawatha, the photographer, leaves posthaste.

Professional photographers might take some comfort in knowing that satisfying all the members of a group photo goes back at least as far as 1858.

The poem is also a fine parody of Hiawatha, which was long revered in schools, and a  general commentary on people when having their picture taken – especially those who know just enough to be dangerous: see the son’s interest in the works of John Ruskin, an art critic.

Lewis Carroll

[In an age of imitation, I can claim no special merit for this slight attempt at doing what is known to be so easy. Any fairly practised writer, with the slightest ear for rhythm, could compose, for hours together, in the easy running metre of ‘The Song of Hiawatha.’ Having, then, distinctly stated that I challenge no attention in the following little poem to its merely verbal jingle, I must beg the candid reader to confine his criticism to its treatment of the subject.]

From his shoulder Hiawatha
Took the camera of rosewood,
Made of sliding, folding rosewood;
Neatly put it all together.
In its case it lay compactly,
Folded into nearly nothing;
But he opened out the hinges,
Pushed and pulled the joints and hinges,
Till it looked all squares and oblongs,
Like a complicated figure
In the Second Book of Euclid.
indentThis he perched upon a tripod –
Crouched beneath its dusky cover –
Stretched his hand, enforcing silence –
Said “Be motionless, I beg you!”
Mystic, awful was the process.
indentAll the family in order
Sat before him for their pictures:
Each in turn, as he was taken,
Volunteered his own suggestions,
His ingenious suggestions.
indentFirst the Governor, the Father:
He suggested velvet curtains
looped about a massy pillar;
And the corner of a table,
Of a rosewood dining-table.
He would hold a scroll of something,
Hold it firmly in his left-hand;
He would keep his right-hand buried
(Like Napoleon) in his waistcoat;
He would contemplate the distance
With a look of pensive meaning,
As of ducks that die in tempests.
indentGrand, heroic was the notion:
Yet the picture failed entirely:
Failed, because he moved a little,
Moved, because he couldn’t help it.
indentNext, his better half took courage;
She would have her picture taken.
She came dressed beyond description,
Dressed in jewels and in satin
Far too gorgeous for an empress.
Gracefully she sat down sideways,
With a simper scarcely human,
Holding in her hand a bouquet
Rather larger than a cabbage.
All the while that she was sitting,
Still the lady chattered, chattered,
Like a monkey in the forest.
“Am I sitting still ?” she asked him.
“Is my face enough in profile?
Shall I hold the bouquet higher?
Will it come into the picture?”
And the picture failed completely.
indentNext the Son, the Stunning-Cantab:
He suggested curves of beauty,
Curves pervading all his figure,
Which the eye might follow onward,
Till they centered in the breast-pin,
Centered in the golden breast-pin.
He had learnt it all from Ruskin
(Author of ‘The Stones of Venice,’
‘Seven Lamps of Architecture,’
‘Modern Painters,’ and some others);
And perhaps he had not fully
Understood his author’s meaning;
But, whatever was the reason
All was fruitless, as the picture
Ended in an utter failure.
indentNext to him the eldest daughter:
She suggested very little
Only asked if he would take her
With her look of ‘passive beauty-‘
indentHer idea of passive beauty
Was a squinting of the left-eye,
Was a drooping of the right-eye,
Was a smile that went up Sideways
To the corner of the nostrils.
indentHiawatha, when she asked him
Took no notice of the question
Looked as if he hadn’t heard it;
But, when pointedly appealed to,
Smiled in his peculiar manner,
Coughed and said it ‘didn’t matter,’
Bit his lip and changed the subject.
indentNor in this was he mistaken,
As the picture failed completely.
indentSo in turn the other sisters.
Last, the youngest son was taken:
Very rough and thick his hair was,
Very round and red his face was,
Very dusty was his jacket,
Very fidgety his manner.
And his overbearing sisters
Called him names he disapproved of:
Called him Johnny, ‘Daddy’s Darling,’
Called him Jacky, ‘Scrubby School-boy.’
And, so awful was the picture,
In comparison the others
Seemed, to one’s bewildered fancy,
To have partially succeeded.
indentFinally my Hiawatha
Tumbled all the tribe together,
(‘Grouped’ is not the right expression),
And, as happy chance would have it,
Did at last obtain a picture
Where the faces all succeeded:
Each came out a perfect likeness.
indentThen they joined and all abused it,
Unrestrainedly abused it,
As the worst and ugliest picture
They could possibly have dreamed of.
‘Giving one such strange expressions–
Sullen, stupid, pert expressions.
Really any one would take us
(Any one that did not know us)
For the most unpleasant people!’
(Hiawatha seemed to think so,
Seemed to think it not unlikely).
All together rang their voices,
Angry, loud, discordant voices,
As of dogs that howl in concert,
As of cats that wail in chorus.
indentBut my Hiawatha’s patience,
His politeness and his patience,
Unaccountably had vanished,
And he left that happy party.
Neither did he leave them slowly,
With the calm deliberation,
The intense deliberation
Of a photographic artist:
But he left them in a hurry,
Left them in a mighty hurry,
Stating that he would not stand it,
Stating in emphatic language
What he’d be before he’d stand it.
Hurriedly he packed his boxes:
Hurriedly the porter trundled
On a barrow all his boxes:
Hurriedly he took his ticket:
Hurriedly the train received him:
Thus departed Hiawatha.

What is side-loading?

Side-loading is like uploading except that you’re loading a photo from the Internet (sideways from dotphoto) instead of uploading to dotphoto from your computer.

How can I side-load to dotphoto?

  1. Copy the Internet addressof the image you want to side-load.
  2. Paste the address into the address line of the dotphoto upload tool.
  3. Tap the green Start Upload button.

Click here for an illustrated procedure.

Turn color photos into black and white, sepia, and other color transformations

New dotphoto home pageOne reason we answer our phones One reason we answer our phones is to find out what dotphoto users want  to do.

Sometimes we’re surprised by a question. For instance: “How can I turn a color photo into a black and white?”

That makes sense because B&W is crisp, and can add an historic or exotic feeling. Actually, B&W is just one of the many color transformations that you can perform with the dotphoto edit function.

Click on any photo, and then the pencil icon in the upper left.  Choose the Effects icon, and then the second effects group, Classic, to try out the effects seen here.

When you Save an edited photo, we recommend that you choose Save as a New Image so that you do not over-write your original photo.

Note that the Strato effect is a film-like effect and even adds the date on which the effect was generated in the lower right corner.

Make more money: sell more photos!

If you’re selling photos on your web site, the most important thing is that your customers can find your albums.  You can use or modify the two icons here, and place them in a prominent part of your web site such as the top right or top center under your masthead.

The second button is probably more effective — especially if it’s graduation season and your customers are looking for graduation photos. Change the photo periodically to reflect seasonal interest. Also, many people still tap on text links instead of icons. In the dotphoto newsletter, more people click on a text link than the picture next to it that indicates the same idea.

Ideas for selling more photos